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FUTURYZM PO FUTURYZMIE. O KONKRETYZACJI IDEI SZTUKI AWANGARDOWEJ W „KULTURZE UCZESTNICTWA"
Tadeusz MICZKA1
Kultura i sztuka współcześnie
Język publikacji: polski
Artykuł w czasopiśmie
Transformacje Nr 1-4 (72-75) 2012, Data publikacji: 25 października 2012r.
Streszczenie The Futurism (1909) was the first artistic activity, which rejected the past with full consequence and favoured technologies, considering hurrying forward as the only reasonable direction of development, defined as moderno latria - (disease on modernity). Not to examine detailed characteristics and estimating achievements of this avantgarde, i accept the assumption about consequences that last till today of concepts of words, images and sounds „on freedom", in practice realized. The art understood this way does not know any borders. i concentrate note in my pronouncement on so called communication post-futurism, which concerns intensive actuate rate between artists and recipients, even a replacement of roles between them. i find this phenomenon as the „participating communication", based on several communication slips complying with conditions formulated by Roger Fidler in a concept of mediamorphosis (1997)I am trying to prove as well, that it' is one of most important trends in modern art.
Instytut Nauk o Kulturze w Uniwersytecie Śląskim w Katowicach; Wydział Nauk Humanistycznych i Studiów Międzynarodowych Wyższej Szkoły Administracji w Bielsku-Białej
E-mail: tmiczka@interia.pl